I saw The Orphan with Betty on Friday night. The showing was 9.45 and the place was packed - Date Night. I'm still not used to seeing police officers at the cinema, and any reminder that guns are legal put me on edge. Hardly a day goes by when there's not been a shooting in Detroit.
Anyway.
On the day of its release, adoption agencies and orphanages were calling for a boycott as, they said, The Orphan gave a misleading, unfair and potentially damaging view of parentless children in need of a loving home. I was thinking "Well, I see why you might be nervous but come on. No mature, compassion adult is going to withdraw their application to adopt just because they watch some daft horror film." People didn't stop camping after The Blair Witch Project, showering after Psycho, or buying chainsaws after The Texas Chainsaw Massacre, did they? Jaws may have kept people out of the water and The Hitcher from picking up strangers, but that's common sense. People can surely watch a film and make the distinction between the story and their own lives.
In the end, The Orphan was better than I thought it was going to be. It was made purely for scares, no real substance or backbone to the story or characters, but it was interesting. I loved the character of Esther, the orphan of the title. Her old fashioned dresses and impeccable vocabulary were delightful and her whole closed-off, anti-social demeanour could have blossomed into something genius, the Outsider par excellance. If she hadn't have been completely cuckoo. Shame that she couldn't have had a vague interest in blood, like that Chucky-Doll girl in ANTM, rather than had to go and actually kill people. Her art was great, loved all the hidden vibrancy ;) But alas, by the end of the film the love affair had ended with Lil Miss Quirky Boots and you had lost all sympathy for her. If she'd have kept being interesting The Orphan might've been a film to buy and keep. Instead, it ended up being just another heart-racer full of fake blood. The twist made it redemptive though, for the people worried about the future of adoption. There were some lines and moments that were hard to hear and watch, as an adopted child, and these might linger in the head of someone who makes decisions based on horror plots, but all in all, it shouldn't hurt the plight of kids needing parents.
As long as none of those parents are teens right now and have just gone to see The Orphan. The people in the auditorium were bonkers! They kept yelling stuff like "freak" and clapping and cheering when bad stuff happened to Esther. (I was with them, in the end, as I said but it was OTT) But when faced with someone a bit different their first instinct was to reject them. Slightly unnerving. They didn't seem like a very accepting crowd. When she got her make up on and went to harvest her fruit, there were so many loud shows of disgust. She just looked like a small goth. It suited her. It's something I've been wondering about for a long time, and going to see this film confirmed it: I would have been dogmeat in a US high school. Perhaps more so than at Noel Baker. The blatant, oxymoronic frankness of their narrow mindedness was scary, sod the film. It dismayed me. Yes, kids are cruel. Yes, they will find one tiny thing and make it the reason to hate you. And yes, I am done with high school, thank God. But Jake's not. Jake's going in there, with all those horrible kids (the elementary school kids were cruel in the film too - I was definitely on Esther's side with that) and he has things that are different. How can I make him strong to face cruelty? Before I've even finished the sentence, I know it's futile. There'll always be something, kids will always see the world how their parents see it and I can't stop Jake being exposed to narrow minded bigoted arseholes. Dammit.
In a country as diverse and rebellious as America, how can it be so parochial? It's rife.